"What you always do—to see what he wants." Mrs. Gereth dismissed the maid. "Tell him Miss Vetch will come." Fleda saw that nothing was in the mother's imagination at this moment but the desire not to meet her son. She had completely broken with him, and there was little in what had just happened to repair the rupture. It would now take more to do so than his presenting himself uninvited at her door. "He's right in asking for you—he's aware that you're still our communicator; nothing has occurred to alter that. To what he wishes to transmit through you I'm ready, as I've been ready before, to listen. As far as I'm concerned, if I couldn't meet him a month ago, how am I to meet him to-day? If he has come to say, 'My dear mother, you're here, in the hovel into which I've flung you, with consolations that give me pleasure,' I'll listen to him; but on no other footing. That's what you're to ascertain, please. You'll oblige me as you've obliged me before. There!" Mrs. Gereth turned her back and, with a fine imitation of superiority, began to redress the miseries immediately before her. Fleda meanwhile hesitated, lingered for some minutes where she had been left, feeling secretly that her fate still had her in hand. It had put her face to face with Owen Gereth, and it evidently meant to keep her so. She was reminded afresh of two things: one of which was that, though she judged her friend's rigor, she had never really had the story of the scene enacted in the great awestricken house between the mother and the son weeks before—the day the former took to her bed in her over-throw; the other was, that at Ricks as at Poynton, it was before all things her place to accept thankfully a usefulness not, she must remember, universally acknowledged. What determined her at the last, while Mrs. Gereth disappeared in the shrubbery, was that, though she was at a distance from the house and the drawing-room was turned the other way, she could absolutely see the young man alone there with the sources of his pain. She saw his simple stare at his tapestries, heard his heavy tread on his carpets and the hard breath of his sense of unfairness. At this she went to him fast. Mrs. Brigstock looked at Owen and considered: nothing showed in her face but that it turned a deeper pink. "I should like him to go with me." There was no menace in her tone, but she evidently knew what she wanted. As Owen made no response to this Fleda glanced at him to invite him to assent; then, for fear that he wouldn't, and would thereby make his case worse, she took upon herself to declare that she was sure he would be very glad to meet such a wish. She had no sooner spoken than she felt that the words had a bad effect of intimacy: she had answered for him as if she had been his wife. Mrs. Brigstock continued to regard him as if she had observed nothing, and she continued to address Fleda: "I've not seen him for a long time—I've particular things to say to him."!

Mrs. Gereth, struck apparently by something in her tone, looked at her from a tremendous height. "Don't fail me now!" "For Mummy's answer?" Owen stared and looked perplexed; he was more and more fevered with so much vivid expression of his case. "Don't you think that if I'm here she may hate it worse—think I may want to make her reply bang off?"

"Is that what you came to ask me?" Fleda demanded. "I dare say she won't like it at all." "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.